Jazz Vocal Phrases and Inflections


Inflections and phrasing are a key part of Jazz vocal style. This article will introduce you to the voice of Holiday and Denise Garrett and help you develop a jazz vocal style of your own. If you have been learning the art of jazz vocal performance but aren’t sure where to begin, read on! You’ll soon find out how to get the sound of a master! And remember, your voice is unique, so you have to respect that.
Jazz phrasing

A jazz vocalist uses jazz phrasing to build interesting rhythmical lines and variations during improvisation. Phenomena of jazz vocals are developed by studying how the different instruments interact in a rhythm. As a result, jazz singers need to be aware of their musical context, constantly on the move, and ready to interact. Here are some tips on how to use jazz phrasing to your advantage.

Practice making your phrases ‘push and pull’. Try to add space to your notes by breathing a little later than the artist’s natural breath. Then, try to catch up later in the phrase. By practicing phrasing exercises, you’ll find your own style and develop your own jazzy delivery. But, beware: back phrasing exercises are very restrictive. In order to create a more conversational style, you need to practice the song several times in order to become comfortable with it.

The most recognizable aspect of a Jazz vocal is the way in which the singer projects confidence in the song. While vocal articulation is as solidly constructed as the melodic structure, this type of singing is also socially significant. Jazz singers need to possess a sense of the blues to sing well in this style, although Bessie Smith did get away from the blues on Lock and Key. However, Bob Blumenthal points out that she never abandoned the blues altogether.

When a singer is expressing an emotion or an idea, the vocalist will adopt a variety of inflections to make their point. This type of vocalization can also be described as “vocal articulation.” The term ‘vocal articulation’ is a general one and is intended to describe the way the singer enunciates a text. It also admits rhythmic patterns such as meter and hypermeter, which are important for word declamation.

Holiday’s voice

The evolution of the jazz vocal is often credited to Billie Holiday, who revolutionized the vocal style in the 1930s. Her innovations provided a blueprint for future vocalists and instrumentalists. Jazz at Lincoln Center presents the United We Swing series, a concert series that honors Billie Holiday and her musical contribution to the development of jazz. In addition to the concert, fans can listen to Billie Holiday’s music via YouTube or Spotify. Individual songs can be heard by clicking on the titles.

In addition to dozens of three-minute masterpieces released on 78-rpm singles, Holiday also appeared on long-playing jazz albums for major labels throughout the 1950s. The last Holiday album, recorded just four months before her death, was released posthumously. Although she weakened physically in her later years, her talent was undeniable. Holiday’s vocal talent was as unique and diverse as her persona.
Blossom Dearie’s voice

The influence of her mother’s musical background was evident when she was a child. After graduating from high school, Dearie moved to New York City to pursue her music career. In her early twenties, Dearie performed with the Blue Flames vocal group in Woody Herman’s big band. She also played with Alvino Rey’s band. She was also a member of many jazz vocal groups.

A Tribute to Blossom Dearie includes music from her classic Verve albums, as well as songs she recorded on her own label, Daffodil. Fans of Blossom Dearie will recognize familiar songs from her debut album, as well as tunes from her recent album, Schoolhouse Rock. The jazz vocalist hopes that her current engagement with Danny’s Skylight Room will continue for a while. Her musicianship, piano playing, and songwriting have earned her a large following among fans and critics.

Reeves’ voice

Dianne Reeves’ Jazz Vocal soared to new heights in her solo career. In 1987, she released her debut album titled Dianne Reeves, a crossover album that straddled the jazz, contemporary pop, and R&B genres. This commercial success signaled the arrival of an artist of major caliber. Several singles from the album landed on the Hot R&B chart. Her sultry title track reached No. 5 on the Billboard charts.

Dianne Reeves’ love of jazz began during her junior high school years. A jazz vocalist, she was introduced to the genre by her uncle, a bassist in the Denver Symphony Orchestra. The trumpeter Clark Terry encouraged her to pursue a career in music, and she began performing with pianist Tommy Flanagan. She later moved to Los Angeles and toured the world with a number of artists, including Wynton Marsalis, Jimmy Giuffre, and Freddie Hubbard.